
phytoturgies

2025
existing flora, existing fauna, existing funga, fallen borer-infested ash branches, performance, printed score, single-channel video, reused terracotta pots from Morven, recycled soil with amendments (mycorrhizae, ash bark, participant-contributed hair, participant-contributed skin), foraged seeds and fruits, felt, recycled acrylic sheets, language adapted from Anik Sparrman, carbon steel, produce from Morven Kitchen Gardens, shiso tea, folding tables, hardware
horticultural consultation by Anik Sparrman; performances by Katie Schetlick, Anik Sparrman, and Paige Werman; thanks to Elizabeth Meyer, Taylor Goff, Rebecca Deeds, Gino Stickley, Evans Van Liew, R.E. Phillips, Lauren Danley, Viva Rogerie, UVA Fab Lab, Visible Records, and the many who participated in the events


phytoturgies is a project by nonhumanities (Katie Schetlick, Anna Hogg, and Conrad Cheung) that combines installation, performance, and video to activate and reimagine public relationships to the plant life of Morven Sustainability Lab, a vast landscape of unceded Monacan land developed into a slave plantation at the turn of the 19th century. Recycling the materials of nonhumanities’ past project series point to touch…, phytoturgies focuses attentional and performative tools on the overlooked and unspectacular but ecologically essential plant life that constitute the majority of Morven’s landscape.
Accompanied by a video that acts as invitation into phytophilic logics and as partial score, the project’s performances bring the public from the institutional core of Morven’s main house and formal gardens to its disused former entryway, spaces that trace both colonial logics of arrival and contemporary efforts at sustainability. Slow, multisensory engagements unfold along the route: guided walks, propagation practices, and embodied acts that ask participants to linger, dwell, hold, touch, and gather. Each performance ends with the collective planting of seeds foraged from Morven's former entryway during the performance’s return from margin to center. Brought to Morven's greenhouse to be tended over the coming months, these seeds grow in soil amended with mycorrhizae, bark from a dead ash branch carried from margin to center, and biomass, including hair and skin, contributed by participants. Refusing neoliberal framings of sustainability and methods of extractive identification, phytoturgies embraces propinquity as a precondition for interspecies understanding — being in the space of, and so becoming with, another.
This website grows as both a durational archive and a standing invitation: it documents the project's installations as they co-develop over the course of a year with their surrounding flora, fauna, and funga, and it houses the project's open-source score, to be adapted in other practices of vegetal propinquity elsewhere in the world.
nonhumanities is an art collective consisting of Conrad Cheung, Anna Hogg, and Katie Schetlick that reimagines historically complicated spatial genres — mazes, gardens, trails — as sites for renewed attention and relation. Through participatory performance, video, and installation, nonhumanities develops slow, embodied practices to transform how publics engage with built environments and more-than-human life.
film
performances
score
Below is documentation of the original performance score. An open-source, site-adaptable version of the score is available here.
objects
plant points
POINT 1
POINT 2
POINT 3
POINT 4
POINT 5
POINT 6
POINT 7
POINT 8
POINT 9
POINT 10
POINT 11
plant masses
MASS 1
MASS 2












































